Exhibitions CURRENT UPCOMING PAST
MK

All That We Have in Common / Sa so si amenge jekhethane

08/11/ 2022 - 23/02/ 2023

The exhibition “All That We Have in Common”, which is organized in the frame of the 14th European Nomadic Biennial of Contemporary Art – MANIFESTA will be open for the audience at the Museum of Contemporary Art – Skopje from the 8th of November till the 20th of February 2023.

The curators of the exhibition are Mustafa Asan, Mo Diener, Mira Gakjina, and Jovanka Popova.

The exhibition will feature works from the following artists: Delaine Le Bas (UK), Ahmet Kadri (North Macedonia), Sead Kazanxhiu (Albania), Robert Gabris and Luboš Kotlár (Slovakia), Roma Jam Session Art Kollective – Mustafa Asan, Mo Diener, Milena Petrovic (North Macedonia / Switzerland / Serbia), Nihad Nino Pusija (Bosnia Herzegovina / Germany), André Jenö Raatzsch (Germany), Emilia Rigova (Slovakia), Ceija Stojka (Austria), Dan Turner (UK), Małgorzata Mirga-Tas  (Poland),  Durmiš Kazim (North Macedonia).

The Roma community as an organic part of the space in which the Museum of Contemporary Art is located is often the subject of political and social upheaval, misinterpretations, speculations, prejudices, and stereotypes. The aim of the exhibition is to expand the political imagination beyond the heteronormative policies of representation and through shared knowledge by artists from and about the Roma community, to articulate different ways of self-presentation, to centralize and make visible the marginalized narratives of Roma, widely ignored and unreachable.

Through the various concerns regarding the identity policies pursued by Roma artists, the exhibition offers the opportunity to equalize and synchronize different socio-political voices and ways of acting in the public sphere, giving visibility to topics that are excluded from the dominant political discourse or are considered ineligible in relation to ethno-narcissism and national fetishes.

Hence, “All That We Have in Common” refers to works that introduce equivalence between different knowledge and association in joint action and provide a common search for an appropriate solution by linking different types of crisis – systemic violence against Roma and other marginalized communities, identity policy crisis, violence against women, the LGBT community, the migrant crisis etc. It addresses works that show the potential of art as a community and possible viable and positive alternatives for acting on the playing field between the political and the intimate.

The exhibition presents contemporary international authors and analyzes the possibilities for sharing different voices and common concerns in the capitalist local and global context. It also opens the opportunity to ask ourselves – What is the world like when it is experienced, developed, and lived from the perspective of differences?; What and how do we represent, which voices do we prefer over the others, and what do we learn about ourselves through knowing the other? Can the concept of care through different artistic strategies redefine the boundaries between the bodies, the collective structures, the environment, and the different political struggles of the marginalized?

The project is implemented within the framework of the Project Manifesta 14 Pristina – Western Balkans and is co-funded by the European Union. It is financially supported by the Ministry of Culture of the Republic of North Macedonia.

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I egzibicia Sa so si amenge barabarutno  (Sa so si amenge jekhethano / All That We Have in Common) si saikerutno kotor katar o 14-to Europakoro nomadikano bienale vašo nevevaxtuno arto – Manifesta thaj ka ovel putardo ko 9-to Novembro ano Muzejo e nevevaxtune arteskoro ko Skopje, a ka ikergovel sa dži o 20-to Februaro 2023 berš.

Kustosia si Mustafa Asan, Mo Diener, Mira Gakjina, Jovanka Popova.

O Muzejo vašo nevevaxtuno arto -Skopje si partnerikani institucia jekhe instituciasa savi ikerel akaja bari manifestacia vašo nevevaxtuno arto, o 14-to ko nič Europako biennale – Manifesta. Adava anel kaj o MNA (MSU) si organizatoro ki programakiri sastin, kerdi katar diskurzivnikane thaj egzibiciakere programe ano period katar o 2021 dži o agor e 2022-to beršeskoro.

Artutne savengere butja ka oven sikavde ki akaja egzibicia si_ Dilejn La bas (Anglia), Ahmet Kadri (Utarali Makedonia) Sead Kazandžiu (Albania), Luboš Kotlar thaj Robert Gabris (Slovačka), Roma Džem Sešn Umetnički Kolektiv – Mustafa Asan, Mo Diner, Milena Petrović (Utarali Makedonia / Švajcaria/Srbia), Nihad Nino Pušija (Bosna thaj Hercegovina / Germania), Andre Jeno Racš (Germania), Emilija Rigova (Slovačka), Ceija Stojka (Austria), Den Tarner (Anglia), Malgorzata Mirga-Tas (Polska),  Durmiš Kjazim (Utarali Makedonia).

 

O muzejo vašo nevevaxtuno arto si locirime ko than, savo so si organikano kotor e dizkere sastinatar ani savi beršenca dživdinel i romani khedin. I romani khedin si butvar vastušej katar o politikano thaj amalnipaskoro ikalkeripe, bilačhe interpretacie, špekulacie thaj prejudicie. I resarin e egzibiciakiri sit e buvljarel i politikani imaginacia avrial e stereotipikane sikavipaskoro thaj prekal o ulavkerdo džanipe katar e maškarthemeskere pendžarde thaj kherutne artutne save so si katar i romani khedin thaj te kerel artikulacia vase aver čhandia ko korkorikano sikavipe, te kerel centralizacia thaj te kerel dikhle marginalizirime narativia e Romenge, a so si buvleder ignoririme thaj biazbade.

Akaja egzibicia dela šajdipa prekal e ververikane  mangina so si ki relacia e identitetikane politikenca savenca kerena buti e romane artutne, te jekharel thaj sinhronizirinel e ververikane amalnipaskere-politikane krle thaj e čhania ko keripe buti ani putardi sfera, deindoj len dikhipe ke teme, save so si ikalkerde katar o dominantikano politikano diskurso vaj pale dikhovena kaj si bimangle ani relacia e etnonarcizmosa thaj e nacionalnikane fetišenca.

Athar, sa so si amenge barabarutno si ko vjavaharipe e butjenca save so dena ekvivaletnipe (jekhajekhipe) maškar e ververikane džanipa thaj barabaripa ani akcia thaj dela šajdipa te ovel jekh barabarikano rodipe e adekvatikane čhinavipaskoro, prekal e phandipa e ververikane tipia e krizakere – sistematikane nasulipe upral e Roma, kriza e identitetikane politikengoro, marginalizirime khedina, bijekh čačipe ke socialnikane thaj sastipaskere protektive sarinenge, migrantikani kriza… I egzibicia iranel pe ke butja save so sikaven o potencialo e artoskoro sar barabaripe thaj e šajutne šajčerdutne thaj pozitivnikane alternative vašo keripe buti ko jekhajekhipe maškar o politikano thaj o intimnikano.

I egzibicia sikavkerel nevevaxtune internacionalnikane autoria thaj kerel analize e šajdipangoro vašo ulavdipe e ververikane krlengoro thaj jekhethani arakhkeripe ano kapitalistikano lokalnikano thaj globalnikano konteksto.

I egzibicia putarel e šajdipa te pučas amen: „Savo si o sumnal kana isi les eksperienca, si barjarkerdo thaj si dživdokerdo katar e perspektive e ververipangoro?“, „So thaj sar sikavkeras amen, save krlenge dasa anglipe anglo e averikane, so džanljarasa amenge prekal o pendžarkeripe e avere manušeskoro?“, Si vaj na o koncepto vašo arakhkeripe karig e ververikane artikane strategie šajutno ko redefiniripe e liniengoro maškar e badania, kolektivnikane strukture, maškaripa thaj ververikane poltikane maripa e marginalizirime manušenge?“.

 

Akava proekto realizirinel pe ane pervazia katar o Proekto Manifesta 14 Priština – Lunalirig Balkano thaj si kofinansirimo katar i Europakiri Unia thaj finanzisko zorjakerdo katar o Ministerstvo vaš i kultura tari Republika Utarali Makedona.

Jam Session Art Collective (Mustafa Asan, Mo Diener, Milena Petrovič), Open Roma Culture, 2021, graphic art work, posters
Courtesy of the artists || Roma Džem Sešn Artikano kolektivo Roma (Mustafa Asan, Mo Diener, Milena Petrovič), Putardi romani kultura, 2021, grafikani artikani buti, posteria

Delaine Le Bas, Fear-Spring, 2008, mixed media, ink, embroidery, applique, beadwork, sequins on fabric || Delaine Le Bas, Dar-Anglonilaj, 2008, xemime mediumia, tinta, vezipe, aplikacia, monistra, aspre ko poftan

Ceija Stojka, The Tumult  1944 (Ravensbruck),  2008, drawing, ink on paper ||  Ceija Stojka, O uštiben, 1944 (Ravensbruk), 2008, Čitrope, tinta ko papiri

Dan Turner, Seeds of Change, 2019, Site-specific installation || Dan Turner, E sumbore e averkeripnaskere, 2019, thanikane’specifikani instalacia

André Jenö Raatzsch, Rewritable Pictures, 2010
video || André Jenö Raatzsch,Palexramome pikture, 2010, video

Ľuboš Kotlár and Robert Gabris, Sugar: Material for a collective imagination, 2022, analogue  photographies on alubond, composit aluminium || Ľuboš Kotlár and Robert Gabris, Šekeri: materialo vaši kolektivnikani imaginacia, 2020, analogikane fotografie ko alubond, kompozitikano aluminium

Durmish Kjazim, Imaginacia! Portrait of a Roma Man, 2016, soft pastel on paper || Durmish Kjazim, Portrait of a Roma Man, 2016, pastel ko lil

Nihad Nino Pušija, Down There Where the Spirit Meets the Bone, 1995 and ongoing, Series of photographs || Nihad Nino Pušija, Athe tele kote so o ruhi arakhel pe e kokalosa, 1995-thavdutno proekto, seria fotografie

Emília Rigová, (out of) the deadlock, 2016, Video installation || Emília Rigová, (avrial katar) bizo dromipe, 2016, Video instalacia

Sead Kazanxhiu, Small House, Home Sweet Home, 2014, Installation, 350 plaster houses, acrylic colored

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