The Large Glass Journal vol. 31/32, 2021

This volume of the ‘Large Glass’ compares various contributions on ‘The new reality’, a reality, which has been shaped by events throughout 2020 and 2021. Starting from the early period of the pandemic and the subsequent lockdowns, closed borders coupled with forms of social antagonism, struggles, discrimination and exclusion of

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The Large Glass Journal vol. 29/30, 2020

The present volume of The Large Glass Journal 29/30 published in 2020 delineates ‘the migrant flows at the edge of artistic-political’and it comprises three parts ‘MIGRANT ARTS AS PRACTICES OF BEING POLITICAL, ‘MAPPING BORDERS AND FLOWS’ and ‘INTO THE DETENTION CENTRES AND PLACES OF SHRINKING VISIBILITIES’. This contributes to the

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The Large Glass Journal, vol. 27/28, 2019

Museum of Contemporary Art Skopje The new issue of The Large Glass No.27/28 is composed as a kind of collection of works of authors that range across a spectrum moving from humanist approaches to posthumanism (or anti-anthropocentrism), including a range of thematic discussions, artistic projects and essays discussing, contextualizing and criticizing various issues

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The Large Glass Journal, vol. 25/26, 2018

Museum of Contemporary Art Skopje The Large Glass is being published again 23 years after its first issue and ten years since its last issue. The journal was first launched in 1995 by Sonja Abadzhieva, who became editor-in-chief, working with Liljana Nedelkovska, Zoran Petrovski, Marika Bocvarovska and many other collaborators

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The Large Glass Magazine 23/24, 2008/2009

Theme of the issue: Young Macedonian Artists on the Actual Art Scene Today

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The Large Glass Magazine 21/22, 2006-07

Content: Editorial: Provincialisation and Degradation of the Public Space Events: 52. Venice BiennialLjupka Deleva talks with Robert StorrBlagoja Manevski: Logical Paintings (Crossing) – Republic of Macedonia at the 52nd Venice Biennial Theme 1: (Non)Aesthetic of the SurroundingLuchezar Boyadjiev – Bilboard Heaven | Aneta and Zivko Popovski – The Bridge Artists

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The Large Glass Magazine 19/20

Content Theme:100 Years of Photography in MacedoniaSonja Abadzieva: Brothers Manaki Photography ChrestomathyRobert Jankuloski: Cabinet Portrait a la Macedoine (Zafir Oraskov, Hristo Dimkaroski, Miroslav Beljan)Boris Petkovski: Blagoja Drnkov: Structure of the DetailValentino Dimitrovski: “The Existential Expression” in the Photographic Work of Zivko JanevskiMarika Bocvarova: Marin Dimeski: Psychology in the Artist’s PortraitsLazo

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The Large Glass Magazine 16/18, 2003-2004

Content Theme: Exhibitions on the Art on the BalkansAndré Rouillé: Becomings (Devenirs), with the World: An Art Without PresenceIrina Subotic: The Balkans: A Cultural Region of Contemporary ArtPeter Weibel, Eda Cufer, Roger Conover: In Searc of BalkaniaHarald Szeeman: About the Exhibition Blood and HoneyPopy Diamantakou: The Balkan Wars/Balkans: Virtual Space

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The Large Glass Magazine 14/15, 2002

Contents Theme: About the GlobalizationBranislav Sarkanjac, Macedonian CatahrezisAleksandar Stankovski, Virtualization Artist pagesBlagoja Manevski: Paintings CriticMichael Kimmelman, The Power of my Position is Strange, Interview by Zoran Petrovski MuseumsPeter Weibel, The Museum is a Place for Dialogue Between thePast and Today, Interview by Zoran Petrovski Film & Visual ArtsMilcho Manchevski: We

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The Large Glass Magazine 12/13, 2000-2001

Theme: Happy New 2000Nebojsha Vilikj: GETTIN-OUT! Artist vs Social RealityMarik Bochvarov Plavevska: The Joyful Side of Everyday Life in the 1990’s Valentino Dimitrovski: Everyday Odds and EndsSonia Abadzieva: Woman&MachineLazo Plaveveski: Fatigue Artist PagesAntoni Maznevski: Drawings FilmLutz Becker: Eisenstein in Mexico Translated Essay: Victor Burgin, Fragments to and from Venise DesignSonia

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