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Nada Prlja: AdaN at the City of Fire

27/12/ 2019 - 21/02/ 2020

Influenced by the global crisis, which implies that the possible end is not only imaginary, Nada Prlja poses a series of questions at the exhibition, reflecting our situation in the world today, but also questions about what it means to be an artist today.

With this exhibition, Nada Prlia takes visitors to the imagined 3030, where our civilization has already disappeared and there is a new one that has no information about us. The new civilization digs a collection of works of art, created and collected by Adan before her civilization disappears forever on the assumed day 20.02.2020. Adan is an imaginary character, a superhero who takes on the role of protector of our cultural heritage, because of the premonition that our civilization will completely disappear.

The exhibition also features works by Nada Prlja created between 2007 and 2019.

 

About the artist: Nad Prlja received an MPhil research degree from the Royal College of Arts, London (2002), after graduating from the Academy of Fine Arts in Skopje (1997).

Nada Prlja was the artist representing the Republic of North Macedonia at the 58. Venice Biennale 2019. She also took part in the following Biennales: 7th Berlin Biennale; Manifesta 8, Murcia, Spain; 5th Moscow Biennale (Film Program); IV Bienal del Fin del Mundo de Arte ContemporáneoBuenos Aires and Santiago de Chile; 28th International Printmaking Biennale, Ljubljana, Slovenia.

She has exhibited in a number of solo and group shows in Europe, USA, Japan, and Macedonia.

 

 

Изглед од изложбата / Installation view

Изглед од изложбата / Installation view

Даниел Серафимовски, Паст перфект, 2016/2019, (две фотографии), 42х55см.; Со љубезна дозвола на уметникот; Фотографија: © Andrijana Tilik / Daniel Serafimovski, Past Perfect, 2016-2019, (two photos 42х55cm) Photography with courtesy: © Andrijana Tilik

Скулптура, 2019 (во состав на инсталацијата: Јордан Грабулоски, Скулптура, 1966, камен, 30х40х15 сопств. на МСУ Скопје), метални профили, бетон, камен, лиени фрагменти, метална прашина, ready made објекти, 280x280x280 см.; Фотографија © Ana Maljanovska / Sculpture, 2019 (integrated within the installation: "Sculpture", Jordan Grabuloski, 1966, stone, 30х40х15cm., from the collection of the Museum of Contemporary Art, Skopje; Photography, with courtesy of: © Ana Maljanovska

АдаН, Повик за позајмици, повторна употреба и де-уметникување, Пилот графичка новела, 2019, 34 цртежи со туш на хартија, 20x30см. секој / ‘AdaN, a Call to Borrow, Reuse and to DeArtify’, Pilot graphic novel, 2019, Ink paintings on paper, 34 paintings, 20x30cm each.

АдаН, Повик за позајмици, повторна употреба и де-уметникување, Пилот графичка новела, 2019, 34 цртежи со туш на хартија, 20x30см. секој / ‘AdaN, a Call to Borrow, Reuse and to DeArtify’, Pilot graphic novel, 2019, Ink paintings on paper, 34 paintings, 20x30cm each.

АдаН, Повик за позајмици, повторна употреба и де-уметникување, Пилот графичка новела, 2019, 34 цртежи со туш на хартија, 20x30см. секој / ‘AdaN, a Call to Borrow, Reuse and to DeArtify’, Pilot graphic novel, 2019, Ink paintings on paper, 34 paintings, 20x30cm each.

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