Amir Karahasan, Ivana Mirchevska, Natasha Nedelkova, “Ought to Optimism!”, 2018

Ana Lazarevska, “To find the oneness in a place of constant duality”, 2018

Ana Jovanovska, “When you think about painting, do you think about something like this?”, 2018

Anastasija Pandilovska, “To Bring Corners Touching”, 2018

Bisera Krckovska, “Evocative Layers”, 2016

Barski Brača (Marko Janev and Filip Velkovski), “Eternal”, 2018

 

Ivan Durgutovski, “Got Milk?”, 2017

 

Darko Aleksovski, “Butterflies caught tenderly”, 2017

Vladan Petrusevikj, “Përdore Alfabetin Qirilik”, 2017

 

 

Dimche Dimeski, “The eyes are the window of the soul”, From the cycle Window/s – PIXEL~6, 2015

 

Ilija Prokopiev, “Tyrannicide A visual recontextualisation of the Roman marble version of the sculpture of Harmodius and Aristogeiton”, 2015

 

 

Goran Ristovski, “Sit, to be absent”, 2013

Igor Tanevski, “The Relation Between the Possibilities of Love”, 2018

 

Elena Chemerska, “All is funny when you have a sense of tumor”, 2018

Marija Koneska, “I am Fine!”, 20162016

Jana Lulovska, “Aliquots”, 2017

Dorotej Neshovski, “Art Is Not What You Want”, 2017

Marko Gutić Mižimakov, “What Do They Want? (Sketch)”, 2018

Nikola Slavevski, “Defeated with Love”, 2017

Zoran Shekerov, “Titoism: Amid Nostalgia and Desire”, 2017

 

Simona Mancheva, “Feni Industry”, 2017

 

 

 

 

Nikola Radulovikj, “Book of Sclavin, Capsule Radiation Report Location: People’s Republic of Sclavin, Year 1981”, 2016

Nemanja Trajkovikj, “Babel”, 2018

© MoCA / МСУ