99 Files: #Skopje Brutalism
Museum of Contemporary Art Skopje 22. 06 – 16. 07 2018 The Laboratory Landscape_inProgress, of the Mediterranea University, presents 99FILES project on the brutalist architectural heritage, focusing in particular on the City of Skopje. The initiative intends to stimulate a different point of observation of this heritage, releasing it from the entailed negative connotation from the
Del LaGrace Volcano: CORPUS QUEER: Bodies of Resistance 1980-2018
Museum of Contemporary Arts, Skopje Thursday, 07. 06. – 10. 09. 2018 Del LaGrace Volcano is a photographic visual artist producing work that seeks to disrupt and trouble socio-cultural binaries using visceral pleasure and political provocation as a primary strategies of resistance. Volcano was born intersex but assigned and raised
Velimir Zhernovski, Beyond the Blackness
Museum of Contemporary Art Skopje, June 1st / July 1st 2018 Scientists claim that the uncontrolled exploitation of natural resources and reckless activities have disturbed the balance of natural order on Earth. The ability to alter nature made humans the chief geological factor leading to catastrophic shifts in the
Freeingspace at the 16th Biennial in Venice
Pavilion of Republic of Macedonia at the 16th International Architecture Exhibition – La Biennale di Venezia 26. 05 / 25. 11. 2018 The Macedonian participation at the16th International Architecture Exhibition – La Biennale di Venezia, entitled Freeingspace, identifies the concept of freedom and ethics as discursive trajectory of
Pre-Fabric: Growing Houses of Skopje
Museum of Contemporary Art: 13th March – 3rd April 2018 On July 26, 1963, at the height of the Cold War, a cataclysmic earthquake destroyed large areas of the city of Skopje. This natural disaster resulted in a wave of international solidarity and led to a joint humanitarian project that
All That We Have In Common
Museum of Contemporary Art Skopje, 18 April – 05 June 2018 Maria Papadimitriou, Agrimika, 2015 To live in an unhomely world, to find its ambivalences and ambiguities enacted in the house of fiction or its sundering and splitting performed in the work of art is also to affirm a profound
NONFIGURATIVE TENDENCIES IN THE 60’S
SCULPTURE – OBJECT – PAINTING FROM THE COLLECTION OF MOCA, SKOPJE Several moments are important for the character of this exhibition. First of all, the selection of exhibits, which defines the concept, was made solely from the collection of the Museum, containing mostly works from the 1960s. What was relevant
Tapestry
Tapestry is a special and specific part of visual arts. As part of the “fine arts” it contains several elements of plastic art, which when combined together create its esthetics. Tapisters (through centuries and even today) have to be familiar with the technological methods applied to the production of the
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